Ghostbusters 2 ein Film von Ivan Reitman mit Bill Murray, Dan Aykroyd. Inhaltsangabe: Fünf Jahre nach den Ereignissen des ersten Teils sind die Geisterjäger. Ghostbusters II (op Platt so veel as „Geister-Knackers 2“) is en US-amerikaanschen Science-Fiction-Kummedie ut dat Johr , de de Geschicht vun den Film. Ghostbusters II. USA (Ghostbusters 2). Jetzt ansehen. Fantasy/Komödie ( Min.).
Ghostbusters Ii Streams und Mediatheken
Die Geisterjäger Ray, Peter, Egon und Winston werden wegen der Zerstörungen, die sie bei ihrer Arbeit anrichten, vor Gericht zitiert. Ihnen wird verboten, sich weiter im Geisterjäger-Geschäft zu betätigen. Doch Dana braucht die Hilfe der alten. Ghostbusters II ist eine US-amerikanische Science-Fiction-Komödie von Regisseur Ivan Reitman aus dem Jahr und die Fortsetzung des Films. Ghostbusters II (op Platt so veel as „Geister-Knackers 2“) is en US-amerikaanschen Science-Fiction-Kummedie ut dat Johr , de de Geschicht vun den Film. stara-zagora-news.eu: Finden Sie Ghostbusters 2 in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. stara-zagora-news.eu - Kaufen Sie Ghostbusters II günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Ghostbusters 2 ein Film von Ivan Reitman mit Bill Murray, Dan Aykroyd. Inhaltsangabe: Fünf Jahre nach den Ereignissen des ersten Teils sind die Geisterjäger. Ghostbusters II. USA (Ghostbusters 2). Jetzt ansehen. Fantasy/Komödie ( Min.).
Bill Murray, Dan Aykroyd, Harold Ramis und Ernie Hudson melden sich mit Ghostbusters 2 zurück und machen Jagd auf einen dämonischen Karpatenfürsten. stara-zagora-news.eu - Kaufen Sie Ghostbusters II günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Ghostbusters II im Fernsehen - TV Programm: Die Geisterjäger retten New York vor Untoten und Schleimströmen. Fantasykomödie.
Ghostbusters Ii Ghostbusters IIGhostbusters 2 - Honest Trailer. Bewerte : 0. Kritik schreiben. Harris Yulin. Aus Versehen durchgesickert: Das ist der Titel Die Unglaublichen 2 Netflix nächsten "Ghostbusters"! Autoren Dan Aykroyd Harold Ramis. Philip Baker Hall. The Frighteners. Vigo braucht dessen Körper, um als Herrscher ins Bewerte : 0. Tatsache ist zumindest, dass "Ghostbusters Der Hobbit 2014 eine gelungene Fortsetzung ist, die dem Original fast das Wasser reichen kann. Filme Ard Mediathek Tatort Ghostbusters 2. Müllabfuhr Ingolstadt für den Film verwendete Schleim war ungiftig und essbar. Besucher in Deutschland 0 Einträge. Bill Murray. Dan Aykroyd un Harold Ramis.
Ghostbusters Ii Movies / TV VideoGhostbusters 2 (1989) - Final battle against Vigo
Bailiff as George Wilbur Sharon Kramer Stenographer Walter Flanagan Rudy the Museum Guard Bobby Brown Maitre D' Judy Ovitz Slimed Restaurant Patron Tom Dugan Restaurant Cop 1 Angelo Dimascio Store Manager Ralph Monaco Police Sergeant Ron Cummins Police Lieutenant Cheech Marin Dock Supervisor Yvette Cruise Maria, Dana's Maid John Hammil Detective 1 Ray Glanzmann Detective 2 Alex Zimmerman Detective 3 Brian Doyle-Murray Woman with Fur Coat Douglas Seale Plaza Hotel Man Ben Stein Public Works Official Erik Holland Fire Commissioner Philip Baker Hall Police Commissioner Rest of cast listed alphabetically: Steve Baker Telephone Man uncredited Cibby Danyla Jason's Mom uncredited Kevin Dunn Milton Angland uncredited Jim Fye Man in Cab uncredited Ken Glover Courtroom uncredited Donna Guidry Art Restoration Student uncredited Tim Lawrence Scoleri Brother uncredited Peter Papageorgiou Spectator uncredited Kariim Ratcliff Crowd Member uncredited Ivan Reitman Stage Manager uncredited Max von Sydow Vigo voice uncredited Chloe Webb Elaine uncredited Harold Weed Elliott Jr.
Scott Doran Re-Recording Mixer Bruce Foster Hirsh Erik Jensen Rosseter Amanda Roth Sean Turner Sparks Sven-Ole Thorsen David Webster Tony Brubaker Steadicam assistant Angelo Di Giacomo Christopher Reed Tony Scarano Edelman Sean Albertson Murray Diane Bandolas Reitman Mary Fellows General Services Administration.
Edit page. Modern movies? Share this page:. Clear your history. Peter Venkman. Raymond Stantz. I could also blow up four pillars and one wall of glass".
The animated Statue of Liberty was conceived by Aykroyd, who liked the idea of taking a static image and making it move about, comparing it with seeing the Eiffel Tower moving or Victoria Falls flowing in reverse.
The crown was mounted on a gimbal , allowing it to be pivoted as though its wearer was walking.
Reitman ordered the crown be tilted down further than the actors were expecting to elicit from them a genuine reaction of surprise.
The upper body was modeled and filmed at night in a makeshift pool to show it emerging from the ocean. To portray the possessed Janosz illuminating a hallway with his eyes, MacNicol was filmed walking down a hallway, which was filmed again without lights off Michael Chapman holding a light at the height of MacNicol's head while panning it from side-to-side.
Several takes were done to cover MacNicol's gaze. Animators added the beams emanating from Janosz, including particulate matter to enhance the realism.
During development, it was conceived of as a two-headed dragon—an idea that was dismissed as unoriginal—billboard figures, animated gargoyles, a phantom taxi, and Santa Claus.
The ghost's extending arm was made from stretchable plastic tubing covered in fabric. The ledge was superimposed over a matte painting of the full building.
The infant actor was secured in a rig that helped him to stand up before his abduction. Reitman preferred the slime to be the monster.
A silicone bath that could be easily bent was used; from below, Tom Floutz puppeteered a tentacle made of dielectric gel and reinforced with spandex and china silk, which was covered in slime.
A fiberglass maw was inserted in front of a vacuum tube that sucked the material backward when activated, revealing a mouth. An animated tongue was added later.
The RMS Titanic was one of the first shots ILM completed; they wanted a powerful image for the scene and considered using the Hindenburg airship complete with flaming passengers and luggage, a subway train carrying rotting passengers, and a graveyard with exploding headstones.
A miniature model of the Titanic with slightly modified aspects; the position of the ship's name was altered to make it clearly identifiable.
Extras were filmed wearing period costume, seaweed, and dripping water but many of the minor details were lost in the wide shot.
The ghost train was intended to be a subway car but there was no time to find a suitable model and an antique train was used.
The severed heads were sourced from multiple places; poorer quality heads were placed further away from the camera.
The Washington Square monster was animated in stop motion by Phil Tippett , who accepted the job on the condition that the effect was no longer than frames, was built on an existing model, and could be done in one take.
Tippett was seriously injured in a car accident during development but continued to work and finished his effect in time. ILM considered using live animals for the segment but abandoned the idea.
The concept for the physical form of the central villain Vigo went through many changes,  including a plan to transform him into a large monstrosity.
Eytchison specialized in Tableau vivants —the use of static sets and stationary actors to create the illusion of a flat painting.
Muren said while they could have figured out the concept, they did not have enough time and needed an expert.
The aim was to portray what appeared to be a painting of Vigo that would come to life to shock the audience.
ILM spent months producing concepts of the painting's look but Reitman rejected them for being too similar to " Conan [the Barbarian] ".
Eytchison's team painted a background and individual items including skies, skulls, and trees on acetate.
This allowed Reitman to view combinations quickly; he chose his favored design in 15 minutes. Local painter Lou Police produced a painting from this concept; Reitman approved it but Eytchison realized a painting would not be realistic enough to allow them to switch between it and the actor.
Von Homburg's costume and the set were painted by the same team to ensure they had the same texture and blended together. Once the set arrived at ILM, Von Homburg was positioned in it wearing full costume, makeup, and prosthetics.
Lighting was used to eliminate shadows, creating a flat image. A photograph was then taken and enlarged to be used as the painting.
Welch's department treated the photograph to make it closely resemble an oil painting. The ending was changed completely, eliminating the living picture concept.
Dane revised the designs of the proton pack weapons, the ghost trap, and also revised the Ectomobile, which became the Ectomobile 1A.
Dane designed new equipment including the giga-meter, the slime scooper, and the slime blower—a large tank connected to a slime-spewing nozzle.
He re-purposed leftover prop warning labels and symbols from his work on Blade Runner to make the equipment look more authentic. The slime blower weapons were three times heavier than the proton packs; the tanks did not contain slime, which was pumped through the guns from off-camera.
The new design offered more comfort while removing some of the powered effects. In the late s, film sequels were still quite rare, but the concept of the media franchise had quickly developed following the success of the original Star Wars trilogy.
Dave Kehr and USA Today ' s Mike Clark were critical of attempts at making the Ghostbusters more mature which made the film feel "tired" and lacking in surprises.
They said that Ghostbusters had succeeded by projecting childlike fantasies onto adult characters who snubbed authority and bonded in a clubhouse, but by taking a surreal comedic fantasy and adding humanity to the central characters, the sequel had become "Four Ghostbusters and a Baby", a reference to the comedy film Three Men and a Baby.
Several reviewers criticized the film for too closely emulating the structure and story elements of its predecessor. Sheila Benson praised the film and said its denouement was superior to that of the original.
She appreciated that despite being a sequel, it did not rely on inside jokes that might alienate audiences and that the interplay between the actors felt inclusive.
He was criticized what he saw as a lack of tension and plot development. Some reviewers found the film to be poorly paced, leaving scenes feeling overlong, and that its best moments felt both few and infrequent.
Benson called them "impressive", and Caroll highlighted moments like the ghostly, resurrected Titanic , but she felt that the creatures lacked any real menace.
Unlike Ghostbusters , reviewers were more conflicted over Murray's performance in the sequel. MacNicol's performance was consistently praised.
Kehr and Clark appreciated the "rewarding" romantic subplot between his character and Potts'. Despite being predicted to outperform its rival films before its release it failed to do so.
Reitman blamed changes in what audiences wanted from films. This period also allowed a potential cultural saturation of the brand through the cartoon series and merchandise.
He told Columbia he would not be part of a third film, and intended to break from comedies altogether. They'd written a whole different movie than the one [initially discussed].
And the special-effects guys got it There were a few great scenes in it, but it wasn't the same movie. In Ghostbusters , many of his major scenes had been given to Murray who was better-known, and Hudson felt the sequel continued to marginalize his character.
He affirmed that despite this, he appreciated the role because of the positive way in which fans have reacted to it. Blu-ray disc editions were released to celebrate the film's 25th and 30th anniversaries in and respectively; the film was remastered and the releases feature 4K resolution video, deleted scenes, alternate takes, and an interview with Aykroyd and Reitman.
The 30th-anniversary version was packaged in a limited-edition steel book cover, and also included Ghostbusters and commentary by Reitman, Aykroyd, and producer Joe Medjuck.
The record also contains the Parker, Jr. Instead of being lauded as heroes after defeating Gozer, the Ghostbusters are driven out of business because of the associated destruction they caused.
The slime amasses beneath the city as a consequence of negative emotions projected by New Yorkers. Aykroyd noted that, at the time, he considered major cities to be places where danger was rife and life held little value.
Similarly, positivity is presented as a uniquely powerful force. Their previous combined efforts defeated Gozer, a demi-god, but the Ghostbusters are completely powerless against Vigo and the accumulated negativity fuelling him.
It is only when the citizens gathered outside the museum unite to sing a chorus of "Auld Lang Syne" that their positivity overwhelms Vigo, allowing the Ghostbusters to defeat him.
Its ending, which can be seen as "hokey" or false, now seemed "touchingly real". They are drawn out of retirement and break the rules of their legal settlement with the city to help, despite the lack of financial rewards and the personal risk to themselves.
Doubtfire These film types appeared among their respective release years' highest-grossing films, and focus on redeeming or celebrating the concept of fatherhood in different forms from warm and friendly to authoritarian.
Nicole Matthews argues that the need to present a film targeted at both adults and children leads to the central characters being infantilized and immature.
Instead, it becomes about Peter Venkman and his relationship to the child, both representing a surrogate paternal figure and lamenting that he is not the child's biological father.
The film focuses on moments of paternal tenderness such as Venkman using his treasured football shirt to clothe Oscar.
Instead a sword is depicted penetrating a stone; a symbol of fertility. The team actively questions authority in a deteriorating city filled with unhappy people.
Government representatives are shown to be more concerned with proper processes than the imminent threat of the ghosts. The government must again empower the Ghostbusters to deal with the problem, reaffirming the team's personal liberty over government influence.
The human soul is polluted by negativity, which is given a physical form as slime beneath the city until there is too much for the Earth to handle.
Digital Spy defended the film as being as good as or better than Ghostbusters. The site's consensus reads, "Thanks to the cast, Ghostbusters 2 is reasonably amusing, but it lacks the charm, wit, and energy of its predecessor".
Film merchandising was a relatively new concept created mainly by the success of the Star Wars series. Merchandising for Ghostbusters was unsuccessful; toys in particular sold poorly until the release of the cartoon spin-off The Real Ghostbusters.
Sequels were seen as a brighter prospect because they are based on established characters. Over 24 tie-in toys were released alongside the film including water guns, colored slimes,  coloring books , comics, and children's meals.
The story included subplots from the film including Ray's possession while driving the Ectomobile and Tully trying to capture Slimer.
Based on the film, it casts the players as the Ghostbusters and tasks them with defeating Vigo and his ghostly minions. The concept failed to progress for many years because Murray was reluctant to participate.
By , he had completed a page concept for a sequel called Ghostbusters III: Hellbent , which would add several new characters and take them to ManHellton—a demonic version of Manhattan—where they would encounter the demon Lucifer.
The game was well-received, earning award nominations for its storytelling. Aykroyd said the game is "essentially the third movie".
Following Ramis's death in , Reitman chose to no longer serve as director for a potential third film. Reitman spent two weeks persuading Murray.
This sequel was written by him and Gil Kenan , and is scheduled for a June 11, release. From Wikipedia, the free encyclopedia.
Theatrical release poster. Harold Ramis Dan Aykroyd. Donn Cambern Sheldon Kahn. Columbia Pictures. Release date.
Running time. Main article: List of Ghostbusters characters. See also: Ectomobile and Proton pack. See also: in film. See also: Ghostbusters video games.
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